Massachusetts native and Academy Award winning actress Estelle Parsons stars in the Bushnell’s production of “August: Osage County,” November 17 – 22, 2009
Q: After appearing in the show for almost a year on Broadway, why were you eager to go on the road with this play?
A: I haven’t had much opportunity to tour, because I was always bringing up kids. But I’ve always loved the idea of touring: I have this old dream of being in vaudeville. And there are all kinds of different audiences out there. I learned that from doing summer stock. Audiences are always a learning opportunity.
Q: Actors say that each audience has a certain personality. Do you find to be true?
A: Absolutely, particularly with this play, where the audience is so dynamic and vocal in every way – moaning, groaning, laughing, crying. The audience is really the third essential part. They’re not just sitting on their hands listening. They’re incredible and they’re always different, and as we go from city to city.
Q: Did you audition?
A: I did. I always prefer to audition, because very often when you’re saying the words out loud, you really can tell whether you want to do a play or not. I thought, “Let me work on this for awhile, and see if this is something I really want to be up there doing.” The more I worked on it, the more I loved it. And then when I auditioned, it just came alive, like whoosh.
Q: What do you think your character?
A: I think she’s a wonderful person who went astray. I have sympathy for her. It’s hard to know what’s underneath all that. I think she is basically a colder person than I am, and it’s been very exciting to work on that. I think she was a very smart, sensitive woman who was deeply abused as a child, and bears the scars. Who knows what would happen to people if they didn’t have the background they have.
Q: How did the role come about in Bonnie and Clyde?
A: In 1966, I was doing Berkshire Theatre Festival. I had seen Arthur Penn’s movies, and I wanted to work for him. I managed to get an interview with him for The Skin of Our Teeth, and he hired me. Working with him, I suddenly knew that I was in the right profession. I was [almost] 40. But I used to think, “Maybe I should have kept on at law school, or maybe I should try something else.” Working for Arthur Penn, I realized that I was in the right place. Then he asked me to do Bonnie and Clyde. I was just about join a rep company. The day after he asked me to read, I got a call telling me that funding for the rep had fallen through. I called Arthur and I read the script, and I thought, “Why is he offering this to me?” But the more I read it; I realized it was an incredible part.
Q: Did the Academy Award affect your career?
A: It did in that I could have had a lot of movie success, which I wasn’t really interested in. Looking back on it, I think that’s kind of too bad. I did a few movies when I was on vacation from a theatre job. I don’t think I ever chose a movie job over a theatre job. I love to entertain people.