The Goodspeed Opera House’s production of “White Christmas,” directed by Hunter Foster, is the perfect way to usher in the holiday season with warmth and joy. Adapted from the beloved film, this stage version masterfully blends comedy, dance, and song, guaranteeing an evening that will lift your spirits and fill your heart with joy.
Set in the aftermath of World War II, the story centers on producers Wallace and Davis, whose plans take an unexpected turn when they follow the charming Haynes sisters to Vermont. There, they reconnect with their beloved former general, who is facing personal and financial troubles. Determined to help, the group bands together, resulting in a dazzling display of friendship and loyalty.
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| Photo by Diane Sobolewski |
Matching them stride for stride are Clyde Alves as Phil Davis and Jonalyn Saxer as Judy Haynes. Their comedic comebacks keeps the audience in stitches, but it’s their sensational performance of “I Love a Piano” that truly steals the spotlight. Kelli Barclay’s dynamic choreography shines in this tap number, radiating energy and precision that is nothing short of breathtaking.
Aurelia Williams delights as Martha Watson, the nosy concierge with a performer’s soul, especially during her lively rendition of “Let Me Sing and I’m Happy.” Jay Aubrey Jones’ comedic timing in his portrayal of Mr. Snoring Man and Mike Nulty, provides additional laughs throughout the evening.
The orchestra, led by Adam Souza, and the crisp sound design by Jay Hilton, offer rich musical accompaniment, seamlessly blending jazz and swing with clear, resonant vocals. The production’s visuals are equally enchanting, with Jeff Hendry’s costumes, David L. Arsenault’s set design, and lighting by Kirk Bookman and Nathan W. Scheurer infusing the stage with vibrant color and atmosphere.
From its heartfelt story to top-notch performances and dazzling production values, “White Christmas” at the Goodspeed Opera House is a delightful holiday treat.