Hartford Symphony Orchestra
through December 7, 2014
by Michael J. Moran
Though HSO Maestra Carolyn Kuan is a multi-talented musician, guest conductor William Eddins did something in the third program of this season’s Masterworks series that Kuan hasn’t done yet in Hartford (but give her time): performed as featured soloist and conductor in the same concert. He also did something Kuan does regularly and well: spoke to the audience.
He opened by leading ten wind instruments from the piano in the HSO premiere of the nine-minute “Homage to Friendly Papageno” written in 1984 by Jean Francaix as “a hymn of gratitude to Mozart.” Sounding like a sprightly mash up of Mozart and Poulenc, it was played with charm and bite, and it led nicely into Mozart’s Piano Concerto No. 17 in G, K. 453, in which Eddins led a larger ensemble of winds and strings again from the piano as soloist.
Not rising from the bench or leaving the stage between these pieces, he engagingly discussed the themes from Mozart’s “Magic Flute” quoted by Francaix and Mozart’s pet starling, which loved quoting the main theme of this concerto’s coda but could never get all the notes quite right. From its lively opening Allegro through a flowing Andante and vigorous romp of a finale, the affectionate performance showed why this was one of Mozart’s own favorites among his concertos. The conductor’s clear and decisive head motions complemented the dexterity of his fingers.
A white-hot reading of Dvorak’s Symphony No. 7 by the full orchestra followed intermission. The dark color of the opening cello chords made clear that this would be a powerfully dramatic interpretation. A warm, loving Poco Adagio, a stately, Czech-flavored Scherzo, and a passionate, intense finale brought the audience to its feet. Here Eddins was a full-body and high-energy conductor (think Leonard Bernstein), who led without a baton or score all evening but with obvious communication skill.
Music Director of Canada’s Edmonton Symphony Orchestra, guest conductor of major orchestras throughout the world, and at 18 the youngest graduate ever of the Eastman School of Music, this gifted and charismatic musician can’t be invited back to Hartford soon enough.