Supporting the Arts in Western Massachusetts and Beyond

June 29, 2021

Review: Goodspeed Opera House, Ambassador of Love, Celebrating Pearl Bailey

Goodspeed Opera House, East Haddam, CT
www.goodspeed.org 
through July 18
by Stuart W. Gamble

Last August in the middle of the Covid-19 Pandemic, this author attended (fully masked) the
first Equity-approved professional production of Godspell with the Berkshire Theater Group in Pittsfield, MA. The message of that musical favorite was one of Hope for all of us, as we faced the unknown. This past week, the author attended (maskless) Ambassador of Love, a new production of the life of Pearl Bailey. Like the legendary Pearly Mae herself, the show’s message is that of love and humor, and the joy of live performance.

This summer opener offers first-class production values. Star Rashida Scott appeared on Broadway in Company, Ain’t too Proud, and Sister Act. Musical Director Michael O. Mitchell’s credits include Motown the Musical, The Color Purple, and Memphis. The show’s Director T. Oliver Reid has won more than 20 Tony Awards for Hadestown, Once on This Island, and Sunset Boulevard. With such a pedigreed production, it was a bit disappointing that the show ran for only approximately one hour.

But in that time, there is a lot to behold and embrace. Simply staged, the performance space consists of only a keyboard while the rest of the space is reserved for Ms. Scott’s magnificent singing and dancing. Scott sings an incredible 22 songs during the show, composed by some of the fines, including Fats Waller (“There’s a Man in My Life”), W.C. Handy (“St. Louis Blues”), Harold Arlen (“Don’t Like Goodbyes”), and George Gershwin (“That Certain Feeling”). A particular highlight was a soulful version of “Before the Parade Passes By” from “Hello, Dolly!” composed by the recently deceased Jerry Herman.

Not only is “Ambassador of Love” (a nod to Bailey’s Presidential appointment as special ambassador to the U.N.) a treat for the ear, but it is also a bauble for the eyes. Scott’s simple, yet striking, white and peach jumpsuit is complimented by the sparkling diamond necklace, ring, and bracelet that adorn her. Her warmth, vivacity, humor, and direct interaction with the audience indeed conjures up the spirit of Ms. Bailey. Since June is Black Music month, it is quite fitting that Pearl Bailey’s contributions to mid-20th Century music be given their due.

Dramatically, the show is a bit weak. Ms. Scott does not “play” Pearl Bailey but narrates her story in the third person. She tells us about Bailey’s accomplishments: four Broadway shows (including the first all-black production of “Hello, Dolly!”), a special Tony Award for “Dolly”, the New York Bronze Medal Award, and the Presidential Medal of Freedom. She also notes Ms. Bailey’s friendships with Perle Mesta and Joan Crawford. But despite all this triumph, the ugly face of racism was ever-present, including an incident in which Ms. Bailey was “jumped” simply for being black. With more dramatic build-up and structure, “Ambassador of Love” will surely become a Broadway-bound hit.

June 28, 2021

REVIEW: Great Barrington Public Theatre, “Dad”

Great Barrington Public Theatre, Great Barrington, MA
www.greatbarringtonpublictheater.org
through July 3, 2021
by Shera Cohen
 
Essentially, there is one common denominator among the plays of Mark St. Germain; small bits of history that perhaps could be found on page 6, below the fold of any newspaper. Having seen 9 of this playwright’s published plays, there is, however, one exception. “Dad,” a semi-biographical story of the writer’s father and himself, would never make the news except for a bold-faced headline in the author’s own life. Another way to say this is that St. Germain obviously delved into his background, his father, and those of his siblings to a degree sadness and wont. 
 
The cover design of the program book connotes a comic reminiscence of someone’s/anyone’s father. Having now seen the play it becomes clear that the black scribbling is not that of a child but is befuddlement of how any of us try to figure out our parents’ place in their own world and with their children.
 
To testify to the saying that “the show must go on,” a necessary last-minute change of one of
the actors in no way impeded the production in spite of the fact that the character was the lead, Dad. Jim Frangione takes on double duty as the director. The cast includes David Smilow who expresses his character well as an oblivious average Joe whose costume consists of a shlub, old sweatshirt helps define his personality. Peggy Pharr Wilson’s role as Lynn, the sister, has little to do. Perhaps the real sister who she is based on was as ambivalent as Wilson portrays her. Mark H. Dold, a major-league player in the Berkshire theatres, plays high-strung, tense, taught, and nervous to aplomb. Dold’s performances are worth seeing no matter what the play.
 
Seeing the first performance of a new play is a privilege. However, there are some negatives, the biggest being the length. Yes, a play can be compact and say/show everything an audience needs. Instead, “Dad” gives a preview of characters and storyline that needs fleshing out; sibling vs. sibling, Dad vs. recollections of his own past, how Dad became a father who obviously didn’t want that role. In a “This Is Us” timeline of back and forth, the set added to the confusion such as a 1950’s ice box on the same stage as a laptop computer. The play was too stripped down. Sometimes simple and short befit the story. Other times, more is helpful to appreciate the story.
 
St. Germain has a wonderful base of a dramatic look at a family. He has not finished yet.


REVIEW: Berkshire Theatre Group, The Importance of Being Earnest

Berkshire Theatre Group, Stockbridge, MA
www.berkshiretheatregroup.org
through July 10, 2021
by Shera Cohen

 

It is the turn of the last century, England. BTG Unicorn Theatre audience meets two spiffy dressed bachelors from upper-crust families, each named “Earnest”—actually pretending to be Earnest. The glib repartee of Oscar Wilde’s characters play silly pretense with verbal gags, malaprops, and double entendres aplenty. This is a very funny play underneath the physical trappings of what initially one could take as drama. Of course, “earnest” can mean making efforts to be truthful. This is hardly the case for the gentlemen dandies Earnest. 

 

The story is essentially a battle of wits, or witless. The pair call on two young ladies in their attempts to woo and game-play all in the name of love. For some ridiculous reason, the fair damsels insist on marrying a man whose name is Earnest.  

 

Each of the parties in the quartet recite his or her goal of a future of prominence. How to do this? Find the perfect mate, especially the monied mate. The characters are superficial boobs and dim-witted dandies, in other words, perfect matches. The constant humor is that each of the lovers are clueless about themselves and their intendeds. However, there is a thin line in acting which the foursome couldn’t reach. Go for the subtle laughs and winks with each other and the audience and you have a successful farce. This “Earnest” used broad strokes which makes the guys and gals without much personality, albeit still extremely humorous. 

 

Saving the best for last; the first is the exquisite minutia of costume design, all indicative of the era; sometimes bordering on gauche, yet haut couture gauche just the same. 

 

Actor Harriet Harris is becoming an expected thespian in the Berkshires. Remember Beebe from “Fraser”? That’s her. It only takes two seconds of her loud nasal voice for any audience member to appreciate the skills, enunciation, and power of her vocal range. Harris is a brilliant personification of sophisticated humor. Her eyes dark back and forth while adding subtle winks to the audience. Playing Lady Brackdell, she has deemed herself the sole person to vet potential couples. She needs more stage time, some schtick, as if to say, “Ignore these dull young people. Look at me!”

 

A few suggestions are in order. “Earnest” need not be three acts; cut and/or trim throughout.  It doesn’t take two intermissions to move a couple of couches on a set. Act I repartee between the bachelors is repetitious. But are Wilde’s words so sacred that some can’t be intelligently chopped out? It’s done to Shakespeare’s works all the time, and we don’t hear him complain about it.

June 24, 2021

REVIEW: Barrington Stage Company, Chester Bailey

Barrington Stage Company, Boyd-Quinson Stage, Pittsfield, MA
www.barringtonstageco.org
through July 3, 2021
by Jarice Hanson
Photo by David Dashiell

It is 1945 and Chester Bailey is a 23 year old victim of a violent act of brutality.  Though not expected to survive more than a day, he eventually finds himself living in the Walt Whitman Hospital, state mental facility on Long Island. The problems of the residents are so severe there is no doubt that the best anyone can hope for is a gentle transition from the hospital to the cemetery that abuts the hospital. Dr. Philip Cotton is the doctor assigned to help Chester understand that he has experienced a devastating trauma as brutal as the war that is being waged beyond the hospital walls. What confounds the staff is that Chester seems to be unaware of his injuries. He remains optimistic, despite a prognosis that would crush (and does destroy) people who cannot muster the attitude of survival that he embodies.
 
This beautifully crafted story by Emmy-Award Winning author Joseph Dougherty unfolds with parallel stories of Chester, played by Ephraim Birney, and Dr. Cotton, played by his real-life father, the award-winning Broadway, film, and television star, Reed Birney. Both men inhabit their characters fully and create unforgettable characters who deal with issues of illusion and delusion, reality, desire, and hope. 

Reed Birney projects empathy and intellectual gravitas in every role he plays, and young Ephraim Birney is a talent to watch. The physicality and emotional depth he gives to Chester Bailey imbues a tragic story with an unexpected kindness and optimism that allows the audience to leave the theater feeling transformed and challenged to confront their own delusions and beliefs.
 
Director Ron Lagomarsino masterfully moves these two characters through time on a set designed by Beuwulf Boritt that suggests an eternal dance between reality and pseudo-reality. Sound Designer Brendan Aanes and Lighting Designer Peter Koczorowski equally work their magic to suggest the contrasts between institutions that bring to mind both hospitals and the confinement of the problems of the real world in the microcosm of both Pennsylvania Station and the wartime Brooklyn Naval Yard. 
 
In this theatrical masterpiece, Barrington Stage reminds us that live theater is transformative and uplifting. The brilliant casting of father and son in this powerful story about compassion and mercy reaffirms the human spirit to triumph over what we cannot control, and in so doing, provides a parable for post-pandemic hope and survival. This is an unforgettable story, brought to the stage by brilliant actors and magicians of the theater. 

June 18, 2021

REVIEW: Barrington Stage Company, “Who Could Ask for Anything More?”

Barrington Stage Company, Pittsfield, MA
www.barringtonstageco.org
through July 3, 2021
by Michael J. Moran
Green, Umphress, Tischler, Blackwell & Coleman

Subtitled “The Songs of George Gershwin,” this exuberant revue showcases a wide-ranging selection of that master songwriter’s work performed by a multi-talented and well-balanced cast of Broadway and regional theater (including BSC) veterans, resourcefully directed by BSC founder and artistic director Julianne Boyd, and accompanied by a powerhouse five-piece band under the seasoned and energetic musical direction of Darren R. Cohen.

Presented under an outdoor tent at BSC’s crosstown Production Center (with audience members required to mask and separate parties seated distantly from each other), the concert opens with a lively overture based on themes from “Rhapsody in Blue,” followed by the entire company in a rousing “Love Is Sweeping the Country.” Tasteful choreography by Jeffrey L. Page keeps the cast in motion, and David Lander’s imaginative lighting shows off costume designer Sara Jean Tosetti’s colorful outfits for the singers to brilliant effect.

Musical highlights include: Alysha Umphress displaying her comic chops and vocal versatility in “Little Jazz Bird;” Allison Blackwell’s operatically intense “Summertime;” and Alan Green’s unexpected and dramatic account of Serena’s aria, “My Man’s Gone Now,” from “Porgy and Bess.” Jacob Tischler demonstrates his flexible tenor and a fine flair for physical comedy in “Somebody Loves Me” and “Fascinating Rhythm.” Britney Coleman’s clear, bell-like soprano brings elegance to “S Wonderful” and poignancy to “But Not for Me.” Bassist Mitch Zimmer does a hilarious comic turn with the three women of the cast on “Slap That Bass.”

George’s brother Ira Gershwin’s distinctive lyrics amplify the program’s success, and the cast were sensitive to their every nuance, from Green’s contagious languor in “I’m bidin my time/cause that’s the kind of guy I’m,” to the deadpan humor of Tischler and Umphress singing “You like potato and I like potahto/you like tomato and I like tomahto” in “Let’s Call the Whole Thing Off,”  to Blackwell’s refreshingly sensuous “The world will pardon my mush/cause I’ve got a crush, my baby, on you.”  

With Covid-safe guidelines in place, who could ask for a lovelier return to live theater than this gem of a production?

June 11, 2021

Collaborations in the Berkshires: Where Genres & Geography Mix

by Shera Cohen

Summer marriages are now aplenty, especially in this post-Covid 19 year. No, these are not the weddings with tiered cakes and champagne, white garters and terrible toasts, chocolate strawberries and baskets of monied envelopes.

Ventford Hall,
photo by Berkshire Light Photography
 
I use the words “marriages” and/or “weddings” to indicate, for the purpose of this article, true meaningful collaborations that become long or short-term connections. Summer, 2021 is no longer a time for art venues and individuals to continue the “me, me, me” isolationist mantra of survival of the fittest. Making things worse is the competition for: audiences, media space, big name stars, venues, and calendar dates. It seems that the paramount need for arts is the search for dollars. No surprise: there is not enough to go around, or even attempt to fulfill the obligations intended by donors, and anticipated by venues, in pre-pandemic 2019.

Who better to use as an example than myself? While not representing any particular class or color, economic or geographic distinction between me and the thousands of strangers who I see in the Berkshires, my guess that our common denominator is love of culture and arts. In the case of the Berkshires, these enriching experiences within a 45-mile radius of each other, not to mention encompassed by and set among the great natural landscape, are the epitome of the planet’s creation.

Some coupling was created during the height of the Pandemic and its continuation seems natural. The “ah-ha” moment. Why didn’t they think of that before? Like genres came together: music with music, theatre with theatre. Not a novel idea. Dance brought visual art, poetry, and youth theatre together where everyone is invited to participate. Hand-in-hand, the leaders of performing art venues in particular, put their heads together, rolled up their sleeves, and stood firm, facing the ravage and aftermath of Covid 19. It wasn’t just the art agencies that worked together physically and monetarily, but their boards and audiences did as well. The sounds of music, stomps of dancing feet, and hammering of sculpture were silent for over one year. The media responded; and patrons, many of whom never considered the opportunity to make meaningful donations, did so.

Having vacationed and written about the Berkshires for the past 25 years, I realized that in addition to like genres, location was a primary link. In the early years of my vacations my goal was to attend at least three activities each day.

What took me so long to realize was that within the matter of approximately 10 minutes, driving on only one street, we could hit the highlights of:

Stockbridge; i.e. Red Lion Inn’s lunch on the porch rocking chairs
to Berkshire Botanical Gardens at full bloom
to Chesterwood’s home and sculpture of Daniel Chester French
to the home of America’s paramount painter Normal Rockwell Museum

The return trip, off the same central road, took us to the Shrine of Divine Mercy, and Stockbridge Cemetery. This totals seven “must see” activities, all positioned in the heart of Stockbridge. Promotion of location, distance, and rest stops in this one small town could help all of these neighbors and visitors. 

photo courtesy Stockbridge Chamber 
The experience of being open-minded to examining and appreciating an art form, other than your personal favorite, is important. Who knows, there have been surprises for me and surely many others. The Stockbridge Chamber of Commerce is a good place to start: https://stockbridgechamber.org/things-to-do/whats-happening-here/. The same could be said about any town in the Berkshires. Let’s all get together in this natural collaboration. https://berkshires.org

THIS ARTICLE ON SUMMER IN THE BERKSHIRES CONTINUES AS WE EXPLORE "THERE’S MORE ART THAN WHAT YOU SEE ON THE SURFACE"

Collaborations in the Berkshires: There's More Art than What You See on the Surface

by Shera Cohen

This is the second part of a series on Summer in the Berkshires 2021. The first part can be read here: "Where Genres & Geography Mix"

Many of these venues double and triple as showcases for experiences historic, cultural, and artistic. This is all about collaboration. Examples are abundant; here are just some.

Arrowhead’s vista of mountain ranges is, not so coincidentally, the shape and likeness of a whale. In addition, Herman Melville’s home doubles as the site of Berkshire Historical Society.

Berkshire Museum is the site of underwater mysteries in the Berkshire Aquarium, in a room solely devoted to sea life. Adjacent to the aquarium, the Little Cinema’s summer-long series of current independent films provides movies and documentaries that are difficult to find elsewhere.

Chesterwood has been permanently designated as one of the well-respected sites in the National Trust for Historic Preservation, and several years ago partnered with Sculpture Now. What better location for modern sculpture to stand side-by-side with the Lincoln Memorial. This year, the Art School of the Berkshires joined the party.

photo by Rebekah Vesey Studio

Personal kudos to Hancock Shaker Village and Chester Theatre. Out of the lonely Pandemic came a marriage of equals; each a different genre which, at first, seem atypical. The small, old town hall building converted into a theatre in Chester simply could not accommodate the important spacing restrictions required for this summer. I don’t know who proposed to whom but it was decided to erect a tent with staging and seating on the grounds of the Village for Chester’s unique, primarily new plays. Audiences can not only patronize the theatre, but the village as well. Don’t be surprised to see sheep and cows en route to the box office. A shout out to these unique partners in what will hopefully be a successful summer.


Jacob’s Pillow has faced the worst set-back of any venue in 2020. Its second theatre was ruined in a conflagration that seemed irreparable. Yet, bravo to the management, staff, dancers, and audience which worked to temporarily rebuild, literally from the ashes. At the same time, the Pillow collaborated with film makers, visual artists, and lecturers. Dance continues this summer!
Mass MoCa is not just your usual art museum. Its collaborations date back over a century, as this museum grew from the literal bricks and mortar of what had been factories in the northern Berkshires.


The Mount was the home of author Edith Wharton. I am guessing that she would be delighted and overwhelmed that her estate is now abundant with concerts, dance, gardens representing those of Europe, lectures by today’s famous authors, not to mention writing classes, and even yoga groups. She would take special pride in becoming the home of Sculpture Now. For several years (omitting last year’s Covid pandemic), world-renowned sculptors collaborated with the Mount to create an exhibit worthy of awe. The pieces are all for outdoor display. To me, Sculpture Now is a charming window-watching show of art on an enormous scale.
Shakespeare & Company has spawned numerous indoor and outdoor theatres, collaborating with nature. Who needs the forests of many Shakespeare tales, when the trees surround the stages? By the way, Shakes rents its site in the off months to the smaller but amazing WAM Theatre. Don’t forget the Farmers’ Market, perhaps not unlike those of the 1500’s. Other Shakes co-partners are this summer’s drive-in movies as well as the Berkshire International Film Festival.
Tanglewood’s pristine campus doubles, triples, and quadruples as the homes of Boston Symphony Orchestra, BUTI Boston University Tanglewood Institute (BUTI), Tanglewood Learning Institute, the Boston Pops Orchestra, Boston Symphony Chamber Music, and forgive me as I unknowingly have forgotten other notable music groups. PS: yoga on the lawn adds to the personal peace of Tanglewood.
Turn Park’s
photo courtesy Turn Park.com
 creators, a family from Russia, have created a unique outdoor setting for
sculptures by artists throughout the world. Oftentimes, Turn Park works with music and theatre groups for its outdoor programs.





THIS ARTICLE ON SUMMER IN THE BERKSHIRES CONTINUES AS WE OFFER  "SHERA'S BERKSHIRE TIDBITS"

Collaborations in the Berkshires: Shera's Berkshire Tidbits

by Shera Cohen

THIS IS THE THIRD PART OF A SERIES ON SUMMER IN THE BERKSHIRES 2021. 
THE FIRST PART CAN BE READ HERE: "WHERE GENRES & GEOGRAPHY MIX"

As much as theatre is my first love in the arts, I believe that the touch of the leaves of the Lamb’s Ear plant is mesmerizing. Berkshire Botanical Garden’s “ears” grow throughout its many acres. www.berkshirebotanical.org
I doubt if most know the story of Mum Bett, aka Elizabeth Freeman, the Black servant of the
Sedgwick family. She was buried in the midst of the circular family plot of the entire clan. She was certainly among her peers at the Stockbridge Cemetery. The year was 1829. www.nrm.org/2013/10/stockbridge_cemetery_tour/

Unicorn Theatre, BTG
Berkshire Theatre Group has morphed over the decades to become better, bigger, and
brilliant. Starting with one white building just off the main road in Stockbridge, grew to an additional barn-like theatre called the Unicorn. Plays are performed simultaneously, so any patron has his/her choice. As if there wasn’t enough for staff, crew, and actors to accomplish, but the powers that be decided to collaborate with the Colonial in downtown Pittsfield. As I understand it, once a flourishing theatre venue was eventually abandoned to become an auto-repair store. Decades later, along came Berkshire Theatre, added the word “Group” to its marquee and an art lovers’ dream came to be. Once was one, are now three. www.berkshiretheatregroup.org

Ventfort Hall Mansion, other than the lush hotels in the Berkshires, Ventfort offers a delightful step into old London at its weekly tea parties, complete with scones and cucumber sandwiches. https://gildedage.org

Photo courtesy andrewdevries.com
Great Barrington Theatre is the newest art venue among the many. In fact, I received their press release a few days ago. Just when you think there might even be too much to do, there’s one more place to put on your calendar. Many of the “regular Equity actors” who frequent the Berkshires will be there, so here’s another chance to see fine performances. I look forward to going. www.greatbarringtonpublictheater.org

One can just walk in to Sculptor Andrew DeVries’ studio in downtown Lenox. but call first for
his hours. DeVries’ works seem to sprout up like dandelions throughout Stockbridge and other towns. All you need to do is turn your head left or right to see his exquisite, accessible, yet unusual pieces. As for Mr. DeVries, in many ways he is not unlike his work; extremely talented, overly friendly, with a contagious laugh to be heard throughout the Berkshires. https://andrewdevries.com/


THE ARTS BY GENRES

Theatre: Shakespeare & Company, Berkshire Theatre Group, Barrington Stage, Williamstown Theatre, Chester  Theatre, Great Barrington Theatre

Comedy: Mahaiwe, Berkshire Theatre Group, Whitney Center

Famous Homes: Ashley House, Mission House, Bidwell, Crane Museum, Susan B. Anthony, Arrowhead, Naumkeag, Chesterwood, The Mount, Ventfort Hall, Norman Rockwell

Sculpture: The marriage of The Mount and Sculpture Now has stood the test of several years,   Chesterwood, Turn Park, Norman Rockwell Museum

Dance: Jacob’s Pillow, Mahaiwe

Music: Tanglewood, Mahaiwe, Guthrie Center, Closes Encounters with Music, Aston Magna, Berkshire Opera

Museums: Clark Institute, Williams College, Mass MoCa, Berkshire Museum

THIS ARTICLE ON SUMMER IN THE BERKSHIRES CONTINUES AS WE EXPLORE "MAKE YOUR SUMMER JOURNEY EASIER, VISIT BERKSHIRE ARTS TOWN BY TOWN"



Collaborations in the Berkshires: Make Your Summer Journey Easier, Visit Berkshire Arts Town by Town

THIS IS THE FOURTH AND FINAL PART OF A SERIES ON SUMMER IN THE BERKSHIRES 2021. 

THE FIRST PART CAN BE READ HERE: "WHERE GENRES & GEOGRAPHY MIX"

ADAMS
SUSAN B. ANTHONY BIRTHPLACE

BECKET
JACOB’S PILLOW DANCE FEST

DALTON
CRANE MUSEUM

GREAT BARRINGTON
MAHAIWE PERFORMING ARTS
BERKSHIRE OPERA FESTIVAL
ASTON MAGNA
GREAT BARRINGTON THEATRE
CLOSE ENCOUNTERS W/ MUSIC
GUTHRIE CENTER

LEE
STARVING ARTIST GALLERY
GOOD PURPOSE GALLERY
ST. FRANCIS CHAPEL

LENOX
TANGLEWOOD MUSIC CENTER &:
BOSTON SYMPHONY ORCHESTRA
BOSTON U. TANGLEWOOD INSTIT. 
CENTER FOR CONTEMP. MUSIC
THE MOUNT
SCULPTURE NOW
JEWISH FILM FESTIVAL
SHAKESPEARE & COMPANY
FRELINGHUYSEN MORRIS HOUSE  
VENTFORT HALL MANSION

MONTEREY
BIDWELL HOUSE MUSEUM

NORTH ADAMS
MASS MOCA
BERKSHIRE ART MUSEUM
N.ADAMS HISTORIC SOCIETY

PITTSFIELD
BERKSHIRE THEATRE GROUP
HANCOCK SHAKER VILLAGE
CHESTER THEATRE (NEW SITE ’21)
BERKSHIRE FILM & MEDIA COLLAB
WHITNEY CENTER FOR THE ARTS
LICHTENSTEIN CENTER FOR ARTS

SHEFFIELD
JOHN ASHLEY HOUSE

STOCKBRIDGE
TURN PARK
BERKSHIRE THEATRE GROUP
BERKSHIRE BOTANICAL GARDEN
CHESTERWOOD
STOCKBRIDGE CEMETERY
SHRINE OF DIVINE MERCY
NAUMKEAG
MISSION HOUSE

WILLIAMSTOWN
WILLIAMSTOWN THEATRE 
WILLIAMSTOWN ART MUSEUM
CLARK ART INSTITUTE

WORTHINGTON
SEVENARS MUSIC FESTIVAL