Springfield Symphony Orchestra, Springfield, MA
September 24, 2016
by Michael J. Moran
To open the SSO’s 73rd season and his own 16th season as
music director, Kevin Rhodes presented the first all-Tchaikovsky concert of his
tenure, which moved, as he noted in his “Rhodes’ Reflections” column in the
program book, from “a festive opening” through “tragedy and drama” to “a big
final act in which heroics both musical and technical carry the day.”
After a lively audience-participation “Star-Spangled Banner”
to launch the new season, the rarely heard “Festive Coronation March” got the
evening off to a rousing start. Commissioned by Tsar Alexander III for his 1883
coronation, it quotes the same hymn, “God Save the Tsar,” that also appears in
the composer’s more familiar “Marche Slave,” but it was refreshing to hear it
in this different setting. The musicians performed it with snap and verve.
The “tragedy and drama” came next in an urgent performance
of Tchaikovsky’s sixth, or “Pathetique,” symphony. From the dark opening
bassoon solo, to the gentle, waltz-like second movement, the exuberant third
movement march, and the quiet desolation of the “Adagio lamentoso” finale, the
passionate commitment of the orchestra’s playing under the maestro’s kinetic
baton fully conveyed the “highly emotional” meaning of the work’s subtitle.
Fabio Bidini |
“Not wanting to finish Opening Night on anything other than
a high note,” Rhodes says in his “Reflections,” he cannily followed a
longer-than-usual first half with a shorter “big final act” after intermission,
when Italian pianist Fabio Bidini made his SSO debut in a full-blooded account
of perhaps the most famous of all piano concertos, Tchaikovsky’s first. From
the majestic introduction, through the lyrical Andante and the rip-roaring
finale, Bidini skillfully varied his touch from delicate to thundering as the
music ran its volatile course. Conductor and orchestra supported him
masterfully.
In the musical humor department, Rhodes took a selfie with
retiring SSO principal bassoonist Andrew Cordle during a pre-concert ceremony
honoring his forty-year career with the orchestra, and later, replacing a part
of the podium which had fallen to the floor during the concerto, he quipped “call
me for all your plumbing needs.” Who could pass up the next chance to spend a
musical evening with such a fun guy?