The Urban Dictionary defines "Meta" as "a term, especially in
art, used to characterize something that is characteristically
self-referential." Beginning with the name of the musical itself, Playhouse on
Park’s latest production is extremely “meta.” It is the tale of a playwright
and composer and their trials and tribulations in crafting a new musical about themselves
as they write a new musical (about themselves). With a treasure trove of
inside-theatre references and jokes, [title of show] has earned a reputation as
a cult classic among theatre geeks. For the casual theatergoer, however, [title
of show] also has universal truths to explore concerning creativity,
collaboration, and friendship.
 |
| Photo Credit: Meredith Atkinson |
Given the ever-changing narrative that led the production to
Broadway, the book can be a bit uneven at times. What works best about this
production are the absolutely charming performers. As one music teacher pointed out in the talkback
after a Sunday matinee, the four leads had an “impeccable harmony.” With songs
running the gamut in style and execution from showstopper to Sondheim, the cast
has plenty of opportunities to shine. Standout numbers include the winking
“Untitled Opening Number,” defiant “Nine People’s Favorite Thing,” and the empowering,
“Die, Vampire, Die”.
Miles Jacoby as “Jeff” the composer/lyricist and Peej Mele
as “Hunter” the writer have a wonderful chemistry and uniquely contrasting
characters that are sometimes missing in musicals. They are comfortable and
playful with each other, and very believable in the give-and-take of their
partnership. Ashley Brooke and Amanda Forker as “Susan” and “Heidi” the “supporting
characters” also provide a study in contrast and believability as two unique talents
looking to make their mark. It will come as no surprise to anyone who has hung
out with theater folk that the dialogue is quite profane and bawdy at times.
The idea of which even gets its own number “Change It, Don’t Change It,” as the
cast struggles to decide if they’re creating art just to please themselves or
others.
Masterfully assisted by on-stage musical
director/pianist/actor Austin Cook, and four chairs, the cast serves up boundless
energy for 100 non-stop minutes in what is, ultimately, a love letter to
musical theatre. It is such enthusiasm and love of the material that makes [title
of show] enjoyable to watch whether you know who someone like Donna Murphy is
or not.
