Hartford Stage, Hartford, CT
through March 19
by Jarice Hanson

Act I takes place in colonial Africa as we are introduced to
Victorian themes of sexual expression and gender performance. “Betty,” the
wife, is played by a male performer and “Edward,” the son, by a woman. “Joshua,”
the African native, is portrayed by a White male, and one female performer
plays two female characters, almost magically becoming transformed with
complete costume change in seconds. Act II takes place in London, with some of
the same characters having grown up and expressing their new sexuality (and
sexual confusion) in more contemporary terms. In a fanciful, farcical
performance, Clive the father from Act I, becomes his own niece, “Kathy,” in
Act II.
It takes fully committed performers to find the truth in
each of these characters, and “Cloud 9” is blessed with a strong, ensemble
cast, though two performers are standouts. Mark H. Dold as Clive/Kathy is one
of the most impressive actors working today, and he is complimented by Mia
Dillon, as Edward/Betty, whose Act II monologue is told with heartbreaking
clarity and insight for the sexual mores and attitudes that span the two time
periods.
“Cloud 9” is a complicated play that can be difficult for
some audience members. It does, however, underscore how powerful Caryl
Churchill’s voice has been in demonstrating how theater can lead us to face
emotions and relationships that are hard to talk about, and to understand.
Almost 40 years after its debut, “Cloud 9” is still effective. Whether you like
it or not, “Cloud 9” gives the audience plenty to think about and appreciate.