TheaterWorks, Hartford, CT.
through August 26
by Jarice Hanson
“Hand to God” is an irreverent, raucous, and hilarious
satire on religion, grief, and sexual mores. Robert Askins’ play features five
actors and a demonic hand puppet named Tyrone. The play won an Obie and was
nominated for five Tony Awards in 2015, including “Best Play.”
The story is set in Cypress, Texas, in a church basement
where Margery (Lisa Velten Smith) is developing a puppet ministry under the
auspices of Pastor Greg (Peter Benson). Only three teens attend; bad-boy Timmy
(Miles G. Jackson), pretty Jessica (Maggie Carr), and Margery’s quiet son,
Jason (Nick LaMedica), the creator/operator/voice of Tyrone, who eventually “possesses”
Jason. We learn that Margery and Jason have recently undergone a serious family
tragedy that influences their behavior toward each other and provides the
impetus for the relationships that ensue.
Photo by Lanny Nagler |
The message of the story shines but the cast shines even
brighter. The talented actors in this production brilliantly directed by Tracy
Brigden are spot-on with their characters, accents, and comedic expressions.
Each shines in their role and evokes empathy that helps defy stereotypes.
Without a doubt, Nick LaMedica stands out as he embodies the shy young man who
is fighting with the satanic hand puppet, Tyrone. LaMedica has the overt
physicality and vocal dexterity to make you believe he and Tyrone are two
separate entities.
The cast and play are beautifully rendered on Luke
Cantarella’s revolving set that includes clever projections, complemented by
Matthew Richards’ lighting and Elizabeth Atkinson’s sound design. Vibrant
colors are enhanced by Tracy Christensen’s costumes, and the puppets, designed and
constructed by Stephanie Shaw, look like they are capable of good and evil.
It should be mentioned that this play might not be suitable
(or palatable) for everyone. TheaterWorks warns that “This play is rated R for
Rude, Raunchy, and Riotously Funny,” this reviewer thought it was, but there
were some patrons who found it a little too graphic and “over the top” for
their tastes. Upon entering the theater, there is a billboard stating, “Does
life stink? We have a pew for you.” If you like that type of humor (and get
it), then you might enjoy this show very much. One leaves the theatre with
great appreciation for the originality of the script and the incredible skill
of the actors and production team. This would be an easy show to do badly, but
TheaterWorks gets it just right.