Supporting the Arts in Western Massachusetts and Beyond

March 10, 2020

REVIEW: Theatre Guild of Hampden, Mamma Mia!

Theatre Guild of Hampden, Wilbraham, MA
www.theatreguildofhampden.org
through March 15, 2020
by Michael J. Moran

The Theatre Guild of Hampden has transformed its new home, the Red Barn at Fountain Park in Wilbraham, MA into an immersive theater-in-the-round, with four resourceful musicians split at opposite ends of the stage and dressing rooms behind curtains in the four corners of the building which are shared by the 24-member cast and various props which they entertainingly move on and off stage between scenes.

The Guild’s reimagining of this rustic space proves surprisingly hospitable to their exuberant production of the ultimate feel-good musical, “Mamma Mia!,” of which Wikipedia says at least seven versions are presented somewhere in the world on any given day. Director Mark Giza and stage manager Jan Plumb have ingeniously used every square inch at their disposal, with the ensemble dancing around the actors just offstage and often providing harmonies, seen or unseen, from their dressing rooms.  

Repurposing many familiar “earworm” hits by the Swedish pop band ABBA as its score, the show follows 20-year-old Sophie to a Greek island where her mother, Donna, runs a tavern and will soon host her daughter’s wedding. Without telling Donna, Sophie has tracked down and invited three older men, one of whom is likely her father, to the ceremony. “Mama Mia” debuted in London in 1999, on Broadway in 2000, and on screen in 2008 (with a 2018 sequel). In other words, just about every musical-theatre lover has already seen “MM.” Yet, it is still a winner that everyone should enjoy. Yes, “The Winner Takes It All.”

Carina Savoie’s clarion singing voice and fine acting chops make her an endearing Sophie. Kiernan Rushford’s Donna turns wistful charm to youthful energy when lead-singing with her girl group, the Dynamos. As her band mates/sidekicks, Jami Wilson’s hilarious Tanya sounds and looks like a young Joan Rivers in “Does Your Mother Know,” while Kathy Renaud’s scene-stealing Rosie is a hoot whenever she appears, but especially in her big number, “Take a Chance on Me.”

Michael DeVito is charismatic as Sophie’s fiancé, Sky, and music director Mark Cloutier does a double star turn as one of Sophie’s might-be dads, British banker Harry. Choreography by ensemble member Dina DelBuono is elastic and energetic.

For sheer fun and joy, this spirited production would be hard to beat. Unfortunately (as Giza quipped in his welcoming comments, “We’re hotter than Hamilton!”), the entire run is currently sold out.