Review: “Newsies,” Mac-Haydn Theatre

Mac-Haydn Theatre, Chatham, NY

through August 9, 2026

by Shera Cohen

“Seize the Day!” This is the signature song in the rousing, entertaining musical “Newsies” at the Mac-Haydn Theatre.

Produced as a Disney movie in 1992 starring Christian Bale (yes, he can sing ’n dance), and staged on Broadway in 2012, “Newsies” has seemed dormant for well over a decade. Thank goodness it has been mounted numerous times in the past 10 years.

Photo by Ann Kielbasa

And this year marks the first time that “Newsies” has appeared at M-H. While most musicals at this venue take the stage for two weeks, “Newsies” has an extended run of three weeks, so there is still time to seize the day. Note that the house fills fast no matter what day of the week chosen to see any of the M-H musical productions.

“Newsies’” plot depicts a fictionalized look at the life of turn of the 20th century, New York City. The characters: newspaper boys. This band of dirt-poor teenagers calls out the familiar, “Read all about it”. At a penny a newspaper, the boys (and a few girls) work as hard as they can to help their families. We sympathize with these kids. While during the Newsboy Strike of 1899, formal education was the furthest goal of these boys, it didn’t mean that they weren’t street smart. After all, the streets were their workplace.

With a cast of nearly 40, and orchestra of 7 that sound like triple the headcount, this “Newsies” can easily hold a candle to theatre venues that are much bigger with bigger budgets. Kaitlyn Frank serves double duty as director and choreographer. She is busy because this is a musical chock-full of big dance numbers. Her cast is an assembly of singing dancers or dancing singers – there is a difference.

M-H’s in-the-round stage poses numerous challenges to productions than those mounted on a proscenium arch stage. In addition, scenic design includes scaffolding and jungle gym apparatus strewn on backwalls at entrances and exits. Never does a director want to cheat audience sections out of experiencing all that is possible. Frank, her team, and every actor succeed at that purpose. Bravo.

Jared Goodwin, as newsboy leader Jack Kelly, seems to be on stage nearly every minute. This story is Jack’s. Goodwin plays with bravado at one turn followed by vulnerability the next. He gives Jack the overwhelming responsibility of being big brother to all, as well as peacemaker and charmer to the ladies.

Other newsboy actors who shine are Logan Pavia, Dev O’Leary, and Jacob Atkins.

Tzintli Cerda, as spunky news reporter Katherine, the primary female cast member, is blessed with a splendid soprano voice. Her duet with Goodwin for “Something to Believe In” is as lovely as any love-song ballad.

Just west of the MA/Berkshire County line is Chatham, NY, home to Mac-Haydn for over 50 years. In addition to “Newsies” are a few more musicals for the 2026 season.

 

Review/Article: “The Secret Garden”

“The Secret Garden” Mac-Haydn Theatre

Mac-HaydnTheatre, Chatham, NY

www.machaydntheatre.org

by Shera Cohen

While Mac-Haydn Theatre has been mounting musical productions since 1969, and I have been attending musicals even longer, the twain never crossed. Not that I had any negative thoughts about attending, but traveling to Chatham, NY seemed so far away from Springfield, MA. I had also never thought of NY as being a component of the Berkshires geographic area. Apparently, I was wrong, especially since just about every tourist map, magazine, and MapQuest search pointed a bit northwest to a small town called Chatham.

Fortunately, In the Spotlight has a crew of excellent writers with expertise in reviewing coupled with a love of the performing arts. In the case of Mac-Haydn, our reviewer Simon Brighenti had already attended a few M-H shows this season. I am a bit ashamed to say that I used Simon as our reconnaissance man to test the talents of M-H. It was his “job” (okay, we are all volunteers) to return with the findings. Take a look at Simon’s M-H reviews at
 www.inthespotlight.org. It is clear that he thoroughly enjoyed each musical. 

This week was my turn to journey across the line from nearby Stockbridge, MA to New York State. A description of the roads leading to the theatre are the proverbial hills and dales alongside town names that reflected the early Dutch settlements. A bit out in the middle of nowhere, alongside the greenery of the picturesque Berkshire mountains, there was finally a sign with the theatre’s name. Perhaps we were lost, and you really can get there from here, because the ride back to Stockbridge took approximately one-quarter of the length and time. It might take a little exploration to get to M-H. It is definitely worth the trip!

Although not on my Top 10 List of Musicals, “The Secret Garden” was and still is one of my favorite books. For years, it was read to me; I’m sure that many parents recall their children pleading, “Read it again.” Years later, I read it on my own. You never get too old for a classic.

My heart and my memories were full of joy. M-H’s production of “SG” was near flawless, especially given the hurdles that this particular musical demanded for theatre-in-the-round. A large cast, set on a relatively small stage, with a smattering of scenery were the essential production elements. Yet, the set extended beyond the stage walls to immediately capture the attention of the audience with trellises, vines, and fencing around the circumference of the interior. In other words, we were in the garden – dark and sad-looking at first, to grow into splendid colors and warmth by play’s end.

Those in lead roles demanded vocal skills that matched their acting talent. The numerous ensemble pieces were whispery and haunting. “Always, the price of admission for me is “Lily’s Eyes,” a wonting emotional duet by brothers in love with the same woman. I would find it nearly impossible to name a melody as sad yet loving in any other musical.

Yet, the book and the musical are all about Mary – a young, hardened orphan whose life is transformed by the secret garden, and in turn, she transforms the lives of others. Wild Handel (Mary) shined onstage, never scene-stealing, but taking command of her leading role with intelligence, vulnerability, and a pure soprano voice. Without a doubt, this young lady has a future in theatre.

M-H musicians are all pros. Whether the sounds came from the talents hidden backstage or tape recorded didn’t matter to me.

Don’t be a slowpoke like I was. Don’t put off a trip to Mac-Haydn. Upcoming are: “Newsies,” “Beautiful: The Carole King Musical,” “Hairspray,” and “Daddy Long Legs”.