Majestic Theater, West Springfield, MA
through December 8, 2019
by Barbara Stroup
A slow procession of four male singers makes its way to a
stage bathed in blue, while singing church-like music that ends with the word
“Shaboom.” Caught between two worlds after the car crash that killed them, the
four members of the 50’s boy band “Forever Plaid” must perform their show in
order to progress to the hereafter. And so begins this fantastic review of the
best ballads of the era, sung flawlessly by Tomm Knightlee (“Smudge”) the
bass-baritone, Bryan Austermann (“Jinx”) a high tenor, Brian Michael Henry
(“Sparky”) tenor, and Chris Coffey (“Francis”) tenor. Their vocal ranges exceed
these designations, and they contribute equally to a fabulously blended sound.
The ballads of choice have more complex chord progressions than the standard
do-wop chart, so the audience never tires of listening to the lineup of love
songs that fill this two-hour production.

Act I includes a
list of hits that includes a bow to both Perry Como and Harry Belafonte.
A high point for this audience member was their rendition of “No Not Much,” and
Bryan Austermann’s “Cry” deserves special mention. Act II does not allow the
attention to wander as it opens with every piano student’s duet, “Heart and
Soul” (with audience participation). The music program morphs easily into a hysterical “re-broadcast” of Ed
Sullivan’s greatest guests, a choreographic peak of entrances, exits and
costume changes.
Director Ben Ashley states that he, “fell in love with this
show” decades ago, and his devotion shows. He allows the music to be the
focus and does not muddy the
production with staging quirks or gimmicks. Majestic audiences who revere him
as Buddy Holly, now have a chance to appreciate his directorial skill and hope
to see more from him. The indomitable and multi-talented Mitch Chakur and his
group continue to provide awesome instrumental support. With this production of
“Forever Plaid, the Majestic Theater continues to fill the house by offering
audiences worthwhile theatre-going experiences.