The Bushnell, Hartford, CT
www.bushnell.orgthrough November 16, 2025
by Suzanne Wells
The Bushnell presents “Hamilton”—book, lyrics, and music by Lin-Manuel Miranda.
This production brilliantly reframes modern American politics through the compelling story of Alexander Hamilton, drawing connections to today’s most pressing social issues. For those drawn to rooting for the underdog, captivated by battles, strategies, extortion, and duels, or intrigued by romantic entanglements and jealous revenge, “Hamilton” delivers on all fronts.
Set against the backdrop of late 1700's New York Harbor, Hamilton—a poor immigrant—joins forces with notable revolutionaries to win independence from England and lay the foundation for the United States government. The production’s use of contemporary language and an innovative blend of rap, hip-hop, and emotional music creates a striking reminder that little has changed over two centuries. The marginalized still struggle for justice, women continue to fight for recognition, backroom deals determine fates, and genius is frequently celebrated only after death.
Tyler Fountleroy commands the stage as Hamilton, captivating the audience with his electrifying energy, impressive vocal range, and unwavering stamina. Jimmie “JJ” Jeter brings depth and intensity to Burr, delivering a memorable performance in “The Room Where It Happens,” while A.D. Weaver’s portrayal of Washington is particularly stirring in “One Last Time.” Marja Harmon dazzles as Angelica; her rendition of “Satisfied” leaves the audience eager for more. Though the dynamic musical arrangements occasionally overshadow the lyrics—making it a challenge to catch every plot twist or double entendre—the emotional impact remains strong.
Lauren Mariasoosay’s portrayal of Eliza is unforgettable. She evolves from a spirited young woman to a devoted wife and mother, transforming into a figure marked by heartbreak and, in the end, radiant forgiveness. Mariasoosay’s understated yet profoundly moving performance resonates with quiet strength, leaving a lasting impression.
The show is not without levity—Matt Bittner’s foppishly charming King George III in “You’ll Be Back” and Christian Magby’s delightfully ridiculous Thomas Jefferson in “What’d I Miss” offer new perspectives of the typically dignified historical figures.
Andy Blankenbuehler’s choreography, featuring captivating pop-and-lock and slow-motion sequences, enhanced by a rotating stage, is mesmerizing. At times, the ensemble’s energy and movement are so riveting that it becomes difficult to focus on anything else, including the lyrics.
Andy Blankenbuehler’s choreography, featuring captivating pop-and-lock and slow-motion sequences, enhanced by a rotating stage, is mesmerizing. At times, the ensemble’s energy and movement are so riveting that it becomes difficult to focus on anything else, including the lyrics.
“Hamilton” captivates audiences with its complex plot, impressive vocal performances, and remarkable choreography, making it a show worth seeing more than once.
